This was advertised in the Conservative History Journal but it is really a National Trust Event though a lecture about Disraeli at Hughenden Manor must be of interest to anyone who is interested in conservative history with either a capital or a small c.
The Immortal Dizzy: Benjamin Disraeli 130 Years On
A special Disraeli celebration lunch to mark the 130th anniversary of his death at which Lord Lexden, the official historian of the Conservative Party and author of a history of the Primrose League, will speak
More Information: the Estate Office, 01494 755573,
email@example.comWell, actually I do have some more information: tickets cost £40 each but this will include lunch, a copy of Lord Lexden's history of the Primrose League and a "lavishly" illustrated booklet on which his address at the lunch will be based. All that makes it rather good value, especially if I add the information that Lord Lexden is really Alistair Cooke, who knows more about Conservative Party history than any other man alive.
Event Number 6 on the London Historians site
KENSAL GREEN CEMETERY TOURI have been round a part of that very large cemetery and can thoroughly recommend the tour.
Sunday 18 September 2011, 2pm – 5pm (approx)
Meet at the Anglican Chapel. Nearest Tube: Kensal Green or Ladbroke Grove.
Kensal Green Cemetery is one of the so-called Magnificent Seven – cemeteries which were established in London’s suburbs during the Victorian period in the interests of public health. Notable “residents” include the Brunels (pere and fils), Charles Babbage, Anthony Trollope and many others. We have 12 places booked on the official tour run by the Friends of Kensal Green Cemetery. This means that we’ll have access to the fine chapel and also the catacomb, both of which are normally closed to the public. An extra treat for us is that LH member Sue Bailey, who runs the London Cemeteries blog, will be giving her personal tour after FKGC. There are some very good pubs nearby – we’ll repair to one of these afterwards for drinks.
£7, to include tea and biscuits, pay on the day.
To book your place, please send email to firstname.lastname@example.org with “Kensal Green” in the subject line. Preference will be given to London Historians members in the first instance.
Tory Historian spent the morning at the Tate Gallery or Tate Britain as it is now known and saw The Vorticists exhibition. By no stretch of imagination were the Vorticists conservative but the movement was genuinely exciting and innovative in Britain with real links to Continental art movements (though they refused to be associated with Marinetti and the Futurists). It is, Tory Historian thinks, their refusal to fit in with the rather cosy, attractive and unthreatening modernism of the Bloomsbury Group and surrounding artists together with the soi-disant leader, Wyndham Lewis's hatred for the British Left, the Soviet Union and the Communist fellow travellers that has ensured a certain disdain for him and the group among art critics and historians.
So there is the charge sheet: Wyndham Lewis dismissed the Bloomsbury Group, opposed the Soviet Union, despised the Communist fellow travellers in the West, was pro-American and was an early supporter of Anglospherist ideas. Definitely a fascist, m’lud. The widespread undermining of Wyndham Lewis’s reputation shows the extent to which the Left has managed to control cultural understanding in Britain.
For those who are interested in the extraordinarily important ideas that Adam Smith expressed and detailed in The Wealth of Nations but find it a little hard to get through the lengthy original, Tory Historian can recommend the latest publication by the Adam Smith Institute. It is a condensed version of the great work, with a few original quotations as well as some comments and additions that refer to the more modern period by Dr Eamonn Butler.
That is an odd title for a posting on the Conservative History blog but, let us not forget, that song is now history, though fairly recent, and Bob Dylan is seen as something of a conservative by many.
It is surely no secret to anyone who is interested in the politics and satire of the eighteenth and nineteenth centuries that both used to be a good deal nastier and politicians did not complain when they were accused of all sorts of highly unpleasant, anti-social, disgraceful and, sometimes, illegal activity in the most outspoken fashion. The same went for members of society as a whole.
An album of 40 ‘suppressed’ cartoons by leading British caricaturist James Gillray (1756-1815) has recently come to light in the Criminal Law Policy Unit of the Ministry of Justice. It features material judged socially unacceptable in the 19th century - including explicitly sexual, scatological and politically outrageous subject matter. The album was probably seized by police more than a century ago as ‘pornographic material’ and handed to Government officials. This slim volume of ‘Curiosa’ has now been transferred to the print collections of the Victoria and Albert Museum, V&A.Having seen what was acceptable in those far-off days, Tory Historian is perplexed as to what might have been "unacceptable" enough to have been suppressed and hidden. One can but hope that these "unacceptable" cartoons will be on show though not, perhaps, to politicians who will find them rather unpleasant.
And talking of the Victoria and Albert Museum, Tory Historian has also found a note about an exhibition that would have been unthinkable a few decades ago: cartoons and covers from Private Eye on its fiftieth anniversary that is due this autumn. To think that of that naughty satirical magazine that was, for many years, not stocked by W. H. Smith because of fears of libel becoming part of the establishment to the point of being honoured by one of our major museums. How are the mighty fallen. Here is an article in Vanity Fair by Christopher Hitchens.
This is a long piece and is, therefore, on the secondary blog, about the latest in the Wimsey saga, The Attenbury Emeralds, written by Jill Paton Walsh, about the characters created by Dorothy L. Sayers. She is no longer using any Sayers material except hints and references from the novels and the lesser known short stories. Here is the link.